Inaki Aizpitarte is not a chef whose cooking leaves you indifferent. To some he’s a culinary genius and one of Paris’s most interesting chefs, to others his reputation is overrated, inflated by adoring fans*.
I’m not sure that I would consider myself a fan, but I do like Aizpitarte’s cooking.
Aizpitarte got started in the restaurant business late in life while travelling in Israel of all places, where he worked as a dishwasher and then later behind the line. It was enough to get him hooked on cooking and learn the basics before returning to Paris where he worked in Gilles Choukroun’s popular Café des Delices on the rue d’Assas.
He eventually branched out on his own as chef of La Famille, which is where I first heard of him and tried his cooking. He then moved for a short stint at Le Transversal, the restaurant within the MAC/VAL modern art museum in Vitry-sur-Seine. I still remember my dinner there, a ten-course set menu for 38 €, which was my first introduction to modernist cuisine and very different from most of what was going on in Paris at the time. The first course was a lone apple seed on a large white plate, followed by a succession of interesting small plates like a cod-liver macaron, calamari with a « chorizo » foam, and a playful deconstructed pot au feu. I went with a group of French friends who absolutely hated it, but I was delighted to try such remarkable flavours, some delicious, some not so delicious, but interesting nonetheless (I wrote up the experience on eGullet at the time and was happy to see that the account, including other’s impressions, can still be found here.
Transversal didn’t last long however and Inaki had already moved on to open Chateaubriand some 6 months later. I have eaten at Chateaubriand a handful of times and some of the dishes I have had there have been startling, while others were less memorable which explains why it gets such mixed reviews. Placing 11th in Restaurant Magazine’s World’s 50 Best Restaurant list, ahead of Gagnaire, Robuchon, Barbot and Troisgros, didn’t help as Chateaubriand became a dining destination attracting culinary globetrotters with high expectations. But for 45 €, I think it is worth the gamble, as when his food is good, it is very good.
Aizpitarte recently took over Le Dauphin, a non-descript café a few doors down from Le Chateaubriand. He kept the name, called in Dutch architect Rem Koolhaas who gutted the place, transforming it into a modern white cube carved from Carrara marble, and serves small tapas-like plates and natural wines. It may be tapas, but it is definitely French.
The menu, which seems to change often, includes Inaki’s modern and playful take on traditional French dishes like brandade, bœuf bourguignon, blanquette de veau, oxtail with carrots, oysters, steak tartare, and pig’s feet. The steak tartare, with hand-cut steak, capers, fresh herbs, deep purple greens and crosnes, was outstanding and showed what good ingredients can do for a dish. The delicate ceviche with cucumber water was another standout, along with the crisp pig’s feet with oysters and seared pluma with radicchio. Each original, potent bite had us trying to guess what a particular herb or flavour was and my only complaint is that there wasn’t more. Desserts included Aizpitarte’s take on French classics like apple tart, chocolate mousse, and a Saint Honoré.
I loved Le Dauphin but can already see the naysayers coming and imagine that some people who travel great distances to taste Aizpitarte’s cuisine will wonder what the fuss is about. With such high expectations, it’s easy to be let down. I understand the criticism but even when Aizpitarte misses, I like what he’s trying to do. After all the media buzz that Chateaubriand has gotten, clearly he could have set his ambitions on a more well-heeled crowd, but I’m happy he chose to stay in the still-somewhat-scruffy part of the 11th, turning out his own style of inventive cooking, using exceptional ingredients, at affordable prices. In doing so, he makes avant-guard cooking, a little more accessible to all.
31, avenue Parmentier
01 48 06 58 41
Prices: small plates for 8-12 Euros, reasonable wine list with natural wine
*For some reason if you’re a woman and you like Aizpitarte’s cooking, you’re a groupie or fan–If you’re a man, well you just like his food. Go figure.
Le Fooding celebrates their 10th anniversary this October with an incredible lineup of 18 of Paris’s best chefs who will take turns cooking for 72 hours non-stop in homage to ‘La Marmite Perpetuelle” —the continuously bubbling pot— a reference to Madame De Marme’s 18th century establishment on what is now the rue des Grands Augustins, where she sold capons simmered in a large pot over a fire that never went out. Legion says that the fire lasted nearly 100 years and more than 300,000 capons were cooked, one after another, in the same stock.
Here is the schedule:
00h00- 4h00 : Inaki Aizpitarte (Le Chateaubriand) ; 4h – 8h : Yves Camdeborde (Le Comptoir du Relais) ; 8h – 12h : Christian Etchebest (La Cantine du Troquet) ; 12h – 16h : Alberto Herraiz (Fogon) ; 16h – 20h : Stéphane Jégo (L’Ami Jean) ; 20h – 00h : William Ledeuil (Ze Kitchen Galerie)
00h – 4h : Christophe Pelé (La Bigarrade) ; 4h – 8h : Waiting to be confirmed ; 8h – 12h: Rose Carrarrini (Rose Bakery) ; 2h – 16h : Federica & Fabrizio Mancioppi (Caffé dei Cioppi) and Cédric Casanova (La Tête dans les olives) ; 16h – 20h : Christophe Michalak (Pastry Chef) ; 20h – 00h: Jean-François Piège (Thoumieux)
00h – 4h : Petter Nilsson (La Gazzetta) ; 4h – 8h: Waiting to be confirmed ; 8h – 12h : Grégory Marchand (Frenchie) ; 12h – 16h : Christophe Beaufront (L’Avant Goût) ;
16h – 20h : Guillaume Delage (Jadis) ; 20h – 00h : Adeline Grattard (Yam’Tcha)
Les Ebullitions Perpétuelles
44 rue Lepic
1-3 October, non-stop
To reserve you will need to wait for details on Le Fooding website : www.lefooding.com